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The collection was donated to the Academy Library by Mr. Helfand (one of the nation's leading collectors of medical ephemera) in a series of individual gifts between 1986 and 1992. The collection includes a number of duplicates, some of which are useful for scholarly study (e.g. bearing the stamps of different distributing pharmacists).

Scope Note: A collection of approximately 300 trade cards, ca. 1875 - ca. 1925 (bulk ca. 1875 - ca. 1914). Almost all advertise patent medicines or herbal remedies; a few deal with cosmetics, chocolate, or veterinary products. The collection includes a small number of French, German, Italian and Spanish cards; however, the bulk of collection is from the United States. Some of the companies represented manufactured the medicines and products advertised on the cards; others are local pharmacies which had their names printed onto cards advertising products they distributed. Many of the medicines and remedies claim to cure almost any complaint, or to address generalized conditions such as weakness, nervousness and general debility. Others address specific conditions or groups of ailments. Only a few cards list the printer or lithographer responsible for producing the image; very few indicate a date of publication or copyright.

Helfand, William H. The William H. Helfand collection of pharmaceutical trade cards. United States & France, 1875-1925.

In 1932, Samuel Lambert, who had been the Academy's 32nd president, began raising money for the publication of the Icones Anatomicae, an edition of all of the images from the two editions of the Fabrica (1543 and 1555) and some of Vesalius’s other publications. Lambert studied and wrote about the historiated initials that appeared in the Fabrica, and a colleague suggested to him that the original wood blocks might still survive. He wrote to Dr. Willy Wiegand of the Bremer Press in Munich, asking if he would do some investigation. Wiegand visited the library at the University of Munich and a search turned up a box containing 227 of the blocks used in the production of the Fabrica and its companion publication from 1543, the Epitome (but none of the blocks for the initials). In light of this felicitous discovery, Lambert approached the Academy with the idea of publishing an edition of the rediscovered images.

Lambert envisioned a very ambitious and beautiful book, which is described at length in the Prospectus. After the discovery of the blocks, Lambert began raising money for a Library Publication Fund, and amassed over $15,000 from various donors by the end of 1932. The University of Munich agreed to co-publish the volume with NYAM, and Willy Wiegand, the head of the Bremer Press, was engaged as the printer. As we can see from the information in the Prospectus, no expense was spared in the creation of the book. Fine handmade paper with a special watermark was created especially for the volume, and photographic reproductions of the missing blocks were made and subtly marked in the descriptive tables.

Four hundred copies of the Icones Anatomicae were printed and sent to NYAM; an additional 295 copies were printed for the European market. At the same time, a small number of portfolios of 40 loose plates, the Tabulae Selectae, was printed as well. For years, individuals wrote to the NYAM librarians requesting individual images from the Tabula, which were sold at a very modest price. The portfolio was also available as a complete set. The title pages of both the 1543 and the 1555 editions of the Fabrica are included in the Tabula, along with a number of the skeletons, muscle men and flayed men that are some of the Fabrica's most iconic images.

Sadly, both the woodblocks and all of the copies of the German edition of the Icones were destroyed during the bombing of Munich in the summer of 1944, so NYAM has the distinction of being the organization that was responsible for the final inking and printing of the beautiful 16th century blocks.

Vesalius, Andreas. [Icones anatomicae, tabulae selecta]. Munich, 1935.

Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.

Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.