Items
Warning message
You must authorize Drupal to use your Google Analytics account before you can view reports.Pages
- Title
- Facendo Il Libro: The Making of Fasciculus Medicinae, an Early Printed Anatomy
- Description
-
The collection includes five editions of the Fasciculus Medicinae printed between the years of 1495 and 1522. The Fasciculus medicinae—literally, the “little bundle of medicine”—is a small group of independently-authored medical treatises and illustrations first printed in 1491. Remarkable as one of the earliest illustrated medical books to be printed, the Fasciculus was reprinted in dozens of different editions and translated into the major European vernacular languages into the 1520s. The Fasciculus also serves as an important witness to a dynamic period of change, reflecting both medieval medical ideas and new advances spurred by the humanistic surge associated with the Renaissance. This is perhaps best illustrated by the inclusion of the first printed scene of human dissection, an indication of the growing importance of empirical investigations of the interior. The images attached to the Fasciculus are a blend of diagrams copied from medieval manuscripts alongside newer, narrative-based scenes demonstrating the modern taste for classical styles in figures and interiors.
EXPLORE OUR NEW ONLINE EXHIBIT TO LEARN MORE →
This digital collection was made possible by generous support from The Gladys Krieble Delmas Foundation.
- Title
- Gessner's Unicorn
- Description
- The Swiss naturalist Conrad Gessner's 4,500-page encyclopedia of animals, the Historia Animalium, makes even the prolific Gilderoy Lockhart look like a slouch. Part fantasy, part observation, Gessner's dense and exuberant animal kingdom included creatures real and imaginary, running the gamut from sea monsters and whales to diminutive tabby cats. Of the unicorn, Gessner writes that its horn marrow, cut with a little wine, could heal a man who'd eaten a poisoned cherry, and could cure a number of ailments. All the better to keep young wizards out of the Hogwarts hospital wing.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- Distillation Apparatus
- Description
- Serviceable copper cauldrons may be found for first years at Potage's in Diagon Alley, but for more advanced potions, students can consult the pages of Philipp Ulstadt's work on distillation for an apparatus upgrade. Ulstadt, a Swiss physician and professor whose very popular Coelum Philosophorum contained concise technical instructions for the processes of distillation, illustrated his manual with hand-colored woodcuts. Among Ulstadt's recipes are many for distillates of herbs and plants with wine, directions for making aqua vitae, and recipes for potable gold. Read closely, and you may find a formula for the molten gold Felix Felicis is near...we wish you lots of Liquid Luck.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- La methode curative des playes, et fractures de la teste humaine avec les pourtraits des instruments
- Description
- Ambroise Paré is renowned as the father of modern surgery. In obstetrics, Paré pioneered a new way of turning an infant in the uterus. He also made significant advancements in the treatment of hernias, the fitting of artificial limbs and eyes, and devised a new instrument to reduce hemorrhage after amputation. As with much of his work, the Methode Curative was widely distributed and reached a large audience. Long considered a classic text on the treatment of head wounds, this book contains 74 woodcuts, many hand-colored and adapted from the corpus of Vesalius. The first section, devoted to the anatomy of the head, is illustrated with woodcuts. The anatomical engravings were modified from the woodcuts of Vesalius and completed by the talented Jean le Royer, King’s Printer. The second part of the book details the treatment of head wounds, skull fractures and diseases of the face. Included in this section are drawings of surgical instruments, many fashioned by Paré himself. The book contains the woodcut portrait by Jean Cousin, printed in an oval surrounded by Paré’s motto, “Labor improbus omnia vincit” (hard work conquers all). It is bound in limp vellum, with a gold-tooled vignette on the cover.
- Subjects (LC)
- Anthropometry, Early works to 1800, General Surgery, Head—Anatomy, Head—Wounds and injuries, Medical illustration, Medicine, Surgery, Surgery—History, Surgical instruments and apparatus, Wood-engraving, Wounds and Injuries
- Title
- William H. Helfand Collection of Pharmaceutical Trade Cards
- Description
-
The William H. Helfand Collection of Pharmaceutical Trade Cards contains approximately 300 colorful pharmaceutical trade cards produced in the U.S. and France between 1875 and 1895 that were used to advertise a wide range of goods in the nineteenth century; although introduced (in the mid-eighteenth century) as an ephemeral form of advertisement, they soon became collectors' items and were mass-produced in collectible 'series' comparable to those produced by sports teams in the twentieth century. They are now regarded as some of the best source material for the study of advertising, technology and trade in the post-Civil War period.
The collection was donated to the Academy Library by Mr. Helfand (one of the nation's leading collectors of medical ephemera) in a series of individual gifts between 1986 and 1992. The collection includes a number of duplicates, some of which are useful for scholarly study (e.g. bearing the stamps of different distributing pharmacists).
Scope Note: A collection of approximately 300 trade cards, ca. 1875 - ca. 1925 (bulk ca. 1875 - ca. 1914). Almost all advertise patent medicines or herbal remedies; a few deal with cosmetics, chocolate, or veterinary products. The collection includes a small number of French, German, Italian and Spanish cards; however, the bulk of collection is from the United States. Some of the companies represented manufactured the medicines and products advertised on the cards; others are local pharmacies which had their names printed onto cards advertising products they distributed. Many of the medicines and remedies claim to cure almost any complaint, or to address generalized conditions such as weakness, nervousness and general debility. Others address specific conditions or groups of ailments. Only a few cards list the printer or lithographer responsible for producing the image; very few indicate a date of publication or copyright.
Historical Note: Trade cards are small illustrated advertisements that were distributed for free by manufacturers and retailers from the 17th century to the early 20th century. Following the Civil War, trade cards became enormously popular in the United States and were the most effective mass advertising medium until the end of the 19th century. Late 19th century American trade cards were typically small pasteboard cards printed with illustrations in multiple colors. These cards were either custom-produced for one firm or store, or issued as stock cards. Stock cards allowed a manufacturer or retailer to have printed or stamped their advertisement and/or name and address on the front or back of an existing illustrated card, thus avoiding the expense of having one specially made.
- Title
- 19. Execution : a full and true account of the last speech and dying declaration of William Burke, who was executed at Edinburgh this morning, for murder, and his body given for dissection; also of his conduct and behaviour since his condemnation, and on the scaffold
- Description
- Illustrated broadside. Cut and mounted.
- Language
- English
- Collection
- The Resurrectionists
- Title
- Vesalius’s De humani corporis Fabrica
- Description
-
Andreas Vesalius’s De humani corporis Fabrica of 1543 is probably the most beautiful anatomical atlas produced in the 16th century. Vesalius, the 28 year old professor of anatomy at the University of Padua at the time of the book’s publication, spared no expense in hiring extraordinary craftsmen to create the woodblocks to illustrate his monumental atlas and we know that some of the drawings that were transferred to the blocks were made by Jan Stephen van Calcar, a Venetian artist working in Titian’s studio, although the block cutters themselves are unidentified. Despite Vesalius’s attempt to protect the images in the Fabrica through the acquisition of various royal privileges, they immediately became extremely popular and were widely reproduced in many other publications.
In 1932, Samuel Lambert, who had been the Academy's 32nd president, began raising money for the publication of the Icones Anatomicae, an edition of all of the images from the two editions of the Fabrica (1543 and 1555) and some of Vesalius’s other publications. Lambert studied and wrote about the historiated initials that appeared in the Fabrica, and a colleague suggested to him that the original wood blocks might still survive. He wrote to Dr. Willy Wiegand of the Bremer Press in Munich, asking if he would do some investigation. Wiegand visited the library at the University of Munich and a search turned up a box containing 227 of the blocks used in the production of the Fabrica and its companion publication from 1543, the Epitome (but none of the blocks for the initials). In light of this felicitous discovery, Lambert approached the Academy with the idea of publishing an edition of the rediscovered images.
Lambert envisioned a very ambitious and beautiful book, which is described at length in the Prospectus. After the discovery of the blocks, Lambert began raising money for a Library Publication Fund, and amassed over $15,000 from various donors by the end of 1932. The University of Munich agreed to co-publish the volume with NYAM, and Willy Wiegand, the head of the Bremer Press, was engaged as the printer. As we can see from the information in the Prospectus, no expense was spared in the creation of the book. Fine handmade paper with a special watermark was created especially for the volume, and photographic reproductions of the missing blocks were made and subtly marked in the descriptive tables.
Four hundred copies of the Icones Anatomicae were printed and sent to NYAM; an additional 295 copies were printed for the European market. At the same time, a small number of portfolios of 40 loose plates, the Tabulae Selectae, was printed as well. For years, individuals wrote to the NYAM librarians requesting individual images from the Tabula, which were sold at a very modest price. The portfolio was also available as a complete set. The title pages of both the 1543 and the 1555 editions of the Fabrica are included in the Tabula, along with a number of the skeletons, muscle men and flayed men that are some of the Fabrica's most iconic images.
Sadly, both the woodblocks and all of the copies of the German edition of the Icones were destroyed during the bombing of Munich in the summer of 1944, so NYAM has the distinction of being the organization that was responsible for the final inking and printing of the beautiful 16th century blocks.
Vesalius, Andreas. [Icones anatomicae, tabulae selecta]. Munich, 1935.
Photography by Ardon Bar-Hama courtesy of George Blumenthal.
- Title
- NYAM Lectures Broadcast by WNYC
- Description
-
Forty lectures on medicine and society that NYAM produced and WNYC-FM broadcast in the 1950s. Digitized from the original lacquer disks.
- Title
- Pomet's Bezoar with Goat
- Description
- The French druggist Pierre Pomet devotes a section of his comprehensive history of drugs to bezoars, explaining that the stones appear in the stomachs of cows, apes, and goats. Pomet's goat leaps over a bezoar, sliced open like a geode to reveal its efficacious core. Pomet argues that this bezoar, produced in the belly of a high-leaping wild goat common in the East Indies, would promote sweat and drive away malignant humors. We'd wager Monsieur Pomet, apothecary to Louis XIV, could give even Snape a run for his wand in a battle of the Potion-Masters.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- Defense Against the Dark Arts
- Description
-
Harry’s scar serves as a constant reminder that it is a dangerous world out there, with powerful wizards capable of great destruction. Familiarize yourself with these Defense-Against-the-Dark-Arts protections, and you’ll feel a little more confident about facing He-Who-Must-Not-Be-Named…or at least develop some strategies for making it through class unscathed.
Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.
- Title
- Lykosthenes' Salamander
- Description
- Konrad Lykosthenes tells us in 1557 that the salamander has a highly toxic venom, so strong it would taint all of the fruit on a tree it climbed. He also connects the animal with fire, arguing that the salamander can put out flames with its touch. In Harry Potter and the Chamber of Secrets, salamanders are born from flames; Fred and George also feed one fireworks as a prank, and it releases tangerine stars (not inappropriate given the stellar designs on this fellow's back). Don't let the twins give you any ideas or that'll be ten points from Gryffindor.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- Bronx
- Title
- Dissection Scene
- Title
- Leo, Astronomicae Veteres
- Description
- Master printer and innovator Aldus Manutius produced some of the finest early books printed in Venice. His extraordinary collection, the Scriptores Astronomici Veteres, included four astronomical texts that date from the Hellenistic period through imperial Rome. This star-studded Leo is one of many constellations illustrating the Greek poet Aratus's Phaenomena, one of the few illustrated works produced by the Aldine Press (they're modeled on earlier woodcuts produced by another Venetian printer, Erhard Ratdolt for his star atlas in 1482). Leo has special resonance for Hogwarts students as the sign of both Harry Potter and J.K. Rowling herself: both were born on July 31, and the lion is the regal animal behind Harry's house. Hail, Gryffindor!
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- Kircher's Three-headed Dog full
- Description
- This engraving, found in Athanasius Kircher's two volume work on music, depicts Orpheus playing the hellhound Cerberus to sleep in order to gain passage to the Underworld. In classical sources, Cerberus was not usually so easily tamed: to the Greeks, he was a monstrous three-headed dog. A glance at Cerberus was said to petrify humans, and his bite was poisonous. Most Greek sources describe Cerberus as possessing three heads, as does Fluffy, the fearsome guard dog who blocks passage to the underground vault guarding the philosopher's stone. Spoiler alert: Harry and his friends take a cue from Orpheus's book and soothe Hogwarts' vicious pup by picking a drowsy tune.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course
- Title
- Divination
- Description
-
Advanced wizards eager to answer the question “Where do you see yourself in ten years?” may enjoy reading up on the fundamentals of divination, devoted to strategies for forecasting the future. In case you’re wondering if J.K. Rowling’s centaurs had a monopoly on the art, early modern natural philosophers like Robert Fludd were very much engaged in questions related to astrology and how the planets governed human outcomes.
Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.
- Title
- Lykosthenes' Phoenix with Flames
- Description
- One of the earliest descriptions of the mythical phoenix dates to Herodotus, who described a bird with red-and-gold plumage that appears in Heliopolis once every 500 years. This woodcut is from the Alsatian chronicler of curiosities and humanist Konrad Lykosthenes. Worried this distressed rara avis will go the way of kindling? Not a chance! Not only is the Order rooting for him, but, as Dumbledore's patronus, we're pretty sure he's on the rise, especially on Burning Day.
- Collection
- How to Pass Your O.W.L.s at Hogwarts: A Prep Course